The Brothers Bloom

by Jonas Kyratzes

I’ll keep this review very short, because I don’t want to spoil the movie for you. I’ll just say that it is delightful, beautiful, and features one of the most exceptional musical scores I’ve ever heard.

It’s hard to understand why the critics accused it of being “too smug and pleased with itself” (Roger Ebert). It is anything but smug; it’s full of manic energy, joy, and enthusiasm. It is the polar opposite of mannered, self-consciously “quirky” bullshit like Rushmore. You won’t find a film more full of life, more in love with its story and characters. And, more remarkably, you won’t find a movie about con men that is more honest or more full of heart.

See this movie, and trust that the ride it will take you on leads to a place of truth.

Agora

by Philipp Kouzoubov

In the lead-up to its release, Alejandro Amenábar’s Agora received a large-scale publicity campaign, free of charge, courtesy of the Catholic Church and other Christian groups. The historical drama, centred around the life and lynching of Hypatia, a pagan astronomer who lived in Alexandria in the 4th Century CE, and the destruction of the Great Library by a group of rampaging Christian monks, was billed as “a biased view of the relationship between science and the Church,” that would make the “public in general” think “Christians are a bunch of SOBs.” (source)

Disappointingly for the godless haters lured into the audience by such wild overselling, the film proved to be nothing of the sort.

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